I was packing the cap away with my old 'analogue' camera kit: a couple of outdated Nikon FMs and assorted lenses, and there were my old macro extension tubes and 50mm f1.8 Nikkor AIS, just sitting there, doing nothing. I clicked them together and fitted them to the DSLR and had a play under the glare of a 60watt Anglepoise.
For image quality, the 25 year-old lens knocks spots off the new kit zoom lenses I generally use - even though it was designed for full-frame 35mm and you have to set aperture and focus manually. Besides, in macro, you set the focus on infinity and shift the camera to and fro to get focus - exposure's just a matter of trial and error. It doesn't take long. Old meets new - I kept looking for the red exposure guide in the viewfinder. You just have to check the LCD monitor though. I reckon using old analogue lenses with a digital body is a very appealing way to take photos.
Doing this reminded me of a conversation I had a month or so back with someone who was praising the merit of 'fixies'. A modern pushbike with neither gears nor freewheel. You either get it or you don't. If you like the idea of fixies - you'll probably like this way of taking pictures for the same indefinable reasons.
Meanwhile, back to the subject. For all-round typing ability, small dimensions and beautiful results - this Olympia SF is the best ultraportable I have used. By miles. I'm not sure what the differences are between this, the angular SF and the Splendides. Until I took the macros, I thought the typeslugs were spotless but even dirty, the type is sharp, clear and effortless. German engineering perfection. Typecast coming soon.
PS: Anyone know why Olympias sometimes use the four domino dots for the margin release?
PPS: I feel I should add that all these photos are unedited apart from some overall sharpening to compensate for any softening during processing, and re-sizing from 4288 pixels to 640 pixels.
